Zoltan graduated from the Uzhhorod College of Culture and Arts. For many years, he worked on designing interiors, public spaces, and landscapes — yet his hands always longed for personal artistic expression. He never separated work from passion, constantly combining both.
He often used his own sculptures and installations to decorate public venues. At one point, his works were everywhere in Uzhhorod, the city he called home. Locals came to recognize his distinctive artistic signature. Encouraged by his family and peers, who embraced his unconventional vision, Zoltan eventually realized his dream — a large-scale solo exhibition.

Zoltan enjoyed being in the spotlight — giving interviews and sharing the deep meanings behind his creations.

A strong advocate of art therapy, he believed deeply in its power to support mental and emotional well-being. Driven by this conviction, he gifted special collections of works to hospitals and schools.

His art often conveyed personal stories — especially those of his family lineage.

Some of his most notable works were tributes to his father, a well-known local watchmaker. Through these pieces, Zoltan honored his roots and kept his connection to the past alive.
Clockwork mechanisms frequently appeared in his work — a nod to time, heritage, and continuity. For Zoltan, this was essential: to honor your history, your roots, and those who came before you, as that’s what shapes your identity.

He believed that only by embracing the past can we build a meaningful present — and a thoughtful future.

The materials in his art were modest and humble — household items, forgotten objects, elements gifted by nature.

Yet when combined, they formed deeply spiritual compositions — more valuable than any gem.

Zoltan believed that the world is still in the process of becoming — and that it’s our responsibility to nurture it consciously, with respect for what came before and hope for what lies ahead.